Elisabeth Subrin talks to fellow artist and filmmaker Laura Parnes about “the gigging economy” and her recently completed multi-format doc/fiction epic, Tour Without End.

Laura gives an interview to The Broadcast from inside her New York studio, discussing Tour Without End in addition to her ongoing work with counterculture and rebellion.

ArtForum reviews Laura’s 2021 show at Pioneer Works.

Laura’s 2021 show at Pioneer Works gets some love from the one and only Brooklyn Vegan.

Artist Laura Parnes and writer Chris Kraus talk gentrification, reality vs. fiction, and the collective, filmic portrait that is Parnes’s Tour Without End.

Laura gives a video interview to Creative Capital about Tour Without End.

Riot Grrrl, Trump, Consumerism, Outsiders and Rave Culture. Aliya Hunter interviews Laura Parnes for Femex Film Archive.

Emily Eddy asks Laura Parnes a quick 12 questions about her life, career and celebrity encounters with Frances McDormand for Video DataBank.

Nellie Killian writes about Laura Parnes’ Tour Without End for Film Comment.

Stephanie Barber interviews Laura Parnes for Bomb Magazine.

Paige Katherine Bradley covers Tour Without End for Vice Garage.

Jane Ursula Harris interviews Laura for Huffington Post.

Alicia Eler writes about Laura Parnes’ “Blood and Guts in High School” for Hyperallergic, New York.

Catherine Wagley writes about County Down for L.A. Weekly.

David Velasco writes about Laura’s screening of “Blood and Guts in High School” at Participant Inc. for ArtForum.

Holland Cotter writes about “Blood and Guts in High School” for The New York Times.

Chris Kraus writes an intro for Blood & Guts: Two Screenplays.

Lia Gangitano interviews Laura about “post-critical” art for Participant Inc.

Carlos Suarez de Jesus writes about “Blood and Guts in High School” for Miami New Times.

Steven Seid writes about Laura’s work for Berkeley Art Museum’s Pacific Film Archive.

Village Voice Critics’ Picks by Ed Halter includes Laura Parnes’ “Blood and Guts in High School”.

Claire Eckert writes about videos by Laura Parnes and Johanna Householder & b.h. Yael for V Tapes.

Chris Kraus writes about Laura’s work in the catalog for Bonds of Love, a show at John Connelly Presents curated by Lisa Kirk.

Holland Cotter covers Laura’s “Hollywood Inferno” show at Participant Inc. for the New York Times.

Curator Lia Gangitano’s press release for Laura’s “Hollywood Inferno” show at Participant Inc.

Curator Barbara London writes about Laura’s work and “Hollywood Inferno” for Video Viewpoints at the Museum of Modern Art.

Gregory Williams covers Laura Parnes and Sue de Beer’s “Heidi 2” show at Deitch Projects in New York for Frieze.

Michael Cohen discusses new tools in feminist art, including Laura Parnes’ and Sue de Beer’s “Heidi 2”, for Flash Art.

David Hunt covers “Heidi 2” for Time Out New York.

Tom Moody writes about “Heidi 2” for Digital Media Tree.

Tom Moody writes about “Hollywood Inferno” for Very Magazine.

Jude Tallichet interviews Laura Parnes about No Is Yes for Very Magazine.

Chris Lee covers Spectacular Optical at Threadwaxing Space in Soho, including Laura’s No Is Yes.

Sue de Beer writes about No Is Yes for Felix.